Missandei (Nathalie Emmanuel), one of Daenerys' most trusted advisors, is taken prisoner in the melee, which leads to some heated negotiations in King's Landing between these two groups. As Tyrion and Varys - along with Targaryen-affiliated Grey Worm (a former Unsullied soldier) and his companion Missandei (rescued from slavery by Daenerys) - sail a fleet to King's Landing in an attempt to negotiate Cersei's surrender, Cersei's guy Euron Greyjoy attacks the ships, forcing some members of Daenerys' contingent to swim for shore. When the Night King comes, Theon dies after charging him, sacrificing himself in the hope that Bran might live.Īfter the Battle of Winterfell, Game of Thrones' many factions have a foe perhaps even more fearsome than the Night King in their sights: Cersei Lannister (Lena Headey), who will do whatever it takes to maintain her presence on the Iron Throne, up to and including murder. After rescuing his sister Yara (Gemma Whelan), he reconnects with the Starks and offers to protect Bran (Isaac Hempstead Wright) from the Night King - and in the end, he's a man of his word. The character lived a brutal life, but he found redemption in the end, dying a hero. But then he lost his power, got captured, and Ramsay Bolton made his life a nightmare, castrating him, renaming him Reek, and forcing the guy to watch as he assaulted Sansa on the night of her wedding to Ramsay. In the first episode of the show, he's more than willing to kill some direwolf puppies, setting him off on a journey that would also include betraying the Stark family to which he once pledged loyalty and murdering a couple of children (as Stark proxies). Theon Greyjoy (Alife Allen) has been at the center of some of Game of Thrones' most disturbing acts - enduring a few as well as causing some of his own. Here are some unthinkable TV character deaths on major shows in 2019. If it serves the story - and gets some social media attention in the process - shows are not afraid to kill off a main character from time to time. There are now hundreds of channels and a slew of streaming services, all of them competing for viewers and differentiating themselves with high-quality shows that are often uncompromising when it comes to storytelling. Laugh-track-laden sitcoms with jokes viewers could see coming from a mile away, bloodless cop shows where the good guys always won and the bad guys always lost - they were a comforting source of easily digestible amusements, and a nice way to while away a couple of hours before bed each night.

Back in the '80s and '90s, long before the age of Peak TV when the medium's writers, directors, and actors elevated it to high art, television existed primarily as a familiar, consistent, low-key entertainment source.

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